What is Autrey Art?

Random artworks by Lucy Autrey Wilson

Showing posts with label Lucy Autrey Wilson Prints. Show all posts
Showing posts with label Lucy Autrey Wilson Prints. Show all posts

Saturday, April 17, 2021

Blue Flower Limited Edition Art for Sale



 


Blue Flower Ghost original  

11 x 14 Charbonnel oil monoprint on Fabriano Tiepolo paper, 2019

$300 unframed


To buy with PayPal:  https://py.pl/GEgUQ

Thursday, February 27, 2020

Blue Flower Monoprint Transformed



I printed an original and a ghost of a blue flower on the last day of my 4 class KALA workshop.  Neither of them came out well.  So, I modified them digitally.  They are better than they were!

Thursday, February 20, 2020

Bird

I was having a bummer of a monoprint class at KALA last night and three away 3 prints and one failed chine colle.  Finally, I reverted to my favorite theme - birds!  This print came out OK.  11x14 charbonnel oil ink on a plastic plate.  Messy process but can be fun.

Saturday, February 8, 2020

The Big Eye Monoprint Plus



Experimenting further with monoprints. 

Top:  The original ghost of my 1st Kala student monoprint study with added Roche pastels

Bottom:  A digital copy of the original monoprint with a photo composite overlay (middle photo) run through a Topaz Labs HDR filter.

Thursday, October 23, 2014

Recent Crow Woodcut Prints



Above are three of eight recent prints (EV or Edition Verite - meaning I used the same 9x12 woodblock for all 8 prints but experimented with a different technique when printing each one). These were done in a recent woodblock cutting class at Kala Art Institute in Berkeley.  Top two prints are examples of Chine Colle, using different Japanese kozo papers.  Prints are 11" x 15." Prints 4/8, 7/8 and 8/8 are variations on the black ink theme (as in 3/8 above).   Print 5/8 is another version of Chine Colle, seen above in print 2/8, and print 6/8 was given to my very knowledgeable Kala teacher Claire Kessler-Bradner.  There is no intentional symbolism related to the 7 circles behind the Crow, although I could make something up if provoked.

Friday, June 20, 2014

Art is the Best Therapy - New Prints






Prints from the San Anselmo Printmakers 3rd press run.  Top to Bottom:
1.  Strange Journey #1 collagraph
2.  Crane ghost monotype with ink and gouache
3.  Blackbird ghost monotype with ink and gouache
4.  Surfer monotype with gouache and watercolor
5.  Blackbird in Marin monotype chine colle with gouache
6.  Crane in Carmel monotype chine colle with pastel and gouache

Sunday, June 8, 2014

Bird Prints





Touched up prints from top to bottom:
Blue-crowned MotMot ghost print
Blue-crowned MotMot in ginger chine colle
Blue Parrot with Baobab trees
Blue Parrot with Baobab trees chine colle 

Friday, June 6, 2014

Blue-Crowned Motmot Monotype

Best unadulterated print of mine, made during the 2nd San Anselmo Printmakers artwork day, was this blue-crowned motmot chine colle monotype.   The process included an Adobe Illustrator B&W drawing, of a motmot bird collaged into a photograph of ginger, taken in Maui, then printed on Kozo paper, then glued to 100% cotton rives bfk paper, then monoprinted with akua inks and liquid pigments using a polycarbonate plate.

Monday, June 2, 2014

Helleborus

Experimenting with different techniques.  This 11x15 print is an encaustic monotype with pastel and ink.

Friday, May 23, 2014

Elsa At Goleta Beach, 1960 - Three Monotypes



Taking my Lindstrom Machinery etching press on its first run, our San Anselmo printmaking group got together to do some initial experiments with Akua intaglio inks and liquid pigments, making monotypes with polycarbonate .030 and PETG plates printing onto dry Rives BFK 100% cotton French mouldmade paper. Doing drypoint on the plastic plates didn't seem to result in strong enough line work, so I hand inked later. Damp paper would probably have worked better.  The Akua liquid pigments also didn't work as well as desired either, so the prints were finished with pastels, which worked beautifully.  More experimentation to come!